Larry Krantz Flute Pages: FLUTE FAQ Index. If playing with my son, I will probably substitute a couple of duets. If you find yourself bored you are wasting your time. The reason to practice is because we want to change something for the better. To do this we have to perceive that something is imperfect - in music this means we have to be listening intently - not thinking about something else. I would suggest you take your T& G #1 and start playing through it. Then with your metronome on play through the entire exercise at that speed (stopping at the end of each sequence to relax and refocus) marking every single place where you are unable to play to your satisfaction. When you finish you will have defined your practice session. Take the first bit you marked and with your metronome off see how slowly you have to play it so that you have no problem. Find that speed on you metronome. Move up one notch and hear the passage in your head - then play it - just once - perfect! Whenever you lose interest in that T& G practice something different that *does* interest you. If you are always focusing your practice sessions on specific short term goals they will always be interesting and productive. In this sense your goal is how short the session can be not how long! For every single note that you play in your practice session you need to be able to say - I liked that - or - I didn't like that. Otherwise (if you not truly listening) you are wasting time. A semester later when they have gone through the book we start again but the basic speed has gone up about ten counts (eg 7. The Rush. Back to FAQ Index(From Glen Ross). Why are adjustment screws absent from most "high-end" instruments? Back to FAQ Index (From David Shorey) The modern flute mechanism was designed by Louis Lot and V. Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is. The Rush is a Victorian era glissando technique. The technique used to produce the effect is a combination of pitch bending and lifting the fingers slowly. This is relative speed, of course. A complete two octave glide can be played in 2 beats at mm 1. Search torrents on dozens of torrent sites and torrent trackers. Unblock torrent sites by proxy. PirateBay proxies, RARBG unblocked and more torrent proxies. Pioneer DDJ-SB (Black) DDJ-SB-K. El DDJ-SB de Pioneer, es el controlador utiliza un cuerpo más grande que otros modelos de la misma gama de precios, y ha sido. Virtual Studio Technology (VST) is a software interface that integrates software audio synthesizer and effect plugins with audio editors and hard-disk. What are scales? Back to FAQ Index(From John G. Zornig). Russ Thornton wrote. It is a confusing term, born of the corrupt notion that the instrument determines what pitch is played. Flutemakers simply measured and copied Boehm's design and then each other's. Starting a few decades ago, however collaborations of players and flutemakers started fiddling with these sizes and placements in an attempt to make a flute that would require less effort to play in tune. The old hole placements were a massive improvement on earlier designs, which required big embouchure adjustments in order to preserve intonation, but they still required some effort, particularly on certain infamous notes. The widely used nomenclature for a particular schema of hole sizes and placements is . I think it's a confusing and inappropriate term - my preference would be . Sightreading tips. Back to FAQ Index(From David Dahl). ![]() Practice sightreading by taking the music at a tempo that will allow you to play without stopping, and don't stop if at all possible. Don't allow yourself to become flustered if you make mistakes. Use a metronome at least sometimes to help maintain a consistent tempo. Before playing, look over the music and mentally note the key, time signature, any changes of key or time signature. It is also helpful to note patterns such as scales and arpeggios. Invent your own exercises to help you move through the music. For example, play the first note(s) of each measure. In difficult passages identify and play only the . Practice playing simple tunes you know without the music, and in different keys. Learn how the intervals sound like so that when you see a fifth, for example, you know how it should sound. It is much easier to play a tune from a score if you already know how it sounds. Cultivate the skill of hearing the music by looking at the score without playing it. This is also handy when looking through music at a store. Be sure to practice sightreading with music of a variety of styles. Learn to sightread music that includes the entire range of the flute. Therefore they must leave the room while you do it so as not to interfere with your psychic reception. On his first (and only) classical audition he began a furious improvised solo when he came across a passage marked 'Tacit 1. When he was asked by a shocked panel what he thought he was doing he replied . Together with his associate, rock guitarist Rex Yurears, they formed a duo specializing in counterpoint which gave a whole new meaning to the word. In fact in the new editions of most music dictionaries you will see the definition: Counterpoint - two guitarists reading the same sheet of music. He has gone down in history for his unforgettable and, quite coincidentally, almost accurate definition of a minor second interval as being . And, lets face it, you can only go so far in a musical career with 'Doe a deer a female deer, Re a drop of golden sun.. Any serious panel would keep these extenuating circumstances in mind before making their final decision. I had to learn to separate the melody from the rhythm. In other words to just look at the rhythm without thinking of the melodic intervals. When I add the melody back to a piece that I have had trouble with I can play right through. There are three main areas for your concentration and for your preparation- -- notes,rhythm and style. Confronted with a page . Obviously you must concentrate on what you know to be your weakest aspect. This I have to say is usually rhythm, not TIME i. Let us look at my assessment of the three disciplines. You will recognize these as the patterns you have become familiar with in your daily practice in the same way that your verbal vocabulary enables you to read fluently by recognition of familiar words. Only a strange or unfamiliar word slows down your rhyt. I honestly believe that most errors are caused simply by not understanding the basic relationship between simple and compound time, beats which are divisible by 2- 4- 8- 1. This is music theory, not flute- playing. Listen to lots of music whilst reading the scores helps, particularly if there are only a few parts as in string quartets. Imagine you are playing and listen to hear if you get caught out. Also listen to different styles particularly jazz and ethnic music where poly- rhythms and asymmetrical beat groups, (9/8 as three quarters and three eighths for example) occur frequently. Study the most influential composers of each period to assess the type of rhythms they use. In its simplest form it is knowing which notes to play long and which to play short- -- very true for baroque and jazz styles. Also when to minimize emotional input and when to maximize it. Nothing worse than Bach sounding like Brahms. And play what the composer wrote, not what you think he meant. There is a thin line between an individual approach which is within the parameters of good taste within a woodwind section and that which is merely showing off and likely to alienate both your colleagues and the conductor, who after all thinks he is God!! Is it notes, rhythm, style? Spot the traffic hazards before you get to them. The panel are more impressed with someone who gives an expressive, stylish and convincing rendition which is in tune with the odd wrong note, than a note- perfect and out- of- tune mechanical performance. Do not panic. Take a few good deep breaths while you are looking at the passage, assessing its key, speed and style.. Always have a silent performance before you. IF you make a complete idiot of yourself when you know you ought to have done better just turn politely to the panel and say to them . If you do, they will admire your composure, if you don't they might admire your cheek! If the principal flute has had to struggle with a passage recently he often has it far forward in the memory and might like to hear how you cope. Of course if he or she has had trouble with it and you play it.. Sometimes it pays to play a good psychological game. What computer software is available for musicians? Back to FAQ Index(From David Dahl). Notation/Scoring. If the goal is to print sheet music, the correct tool is one designed for this purpose. There are a variety of notation packages available with levels of complexity from low to high, with corresponding price tags. Music. Time from Passport is more limited than Encore, but may be sufficient for many needs. Some sequencers also have some notation capabilities, but generally this is not the strongest feature. A popular example is Band- in- a- Box from PG Music. With BIAB, the musician can enter chord changes into a grid of boxes representing measures, choose a musical style, tempo, and key, and play along with the resulting accompaniment. Auto- accompaniment programs are useful for popular styles of music such as jazz, but not for classical music where the accompaniment is rather specific. Auto- accompaniment should be considered a practicing or recreational tool. It is not ordinarily appropriate for performance. Several other methods are available with varying amounts of success. Midi. Soft markets a product called Midi. Scan which allows the musician to scan sheet music and convert the result into a form that can be manipulated by a notation or sequencer program. This product, and others like it, produce a representation of the original music that is from 7. The bottom line is that there is always a certain amount of editing required. For some musicians who are skillful, playing the music on a music keyboard is much quicker than the scanning method. The dream is to be able to play one's flute into a microphone, and print out the sheet music. While such products are marketed, I am not aware of any that provide satisfactory results. What are Straubinger pads. Back to FAQ Index(from Larry Krantz). Straubinger pads have come up often in the past but it never hurts to get more points of view on a topic. I have been using and recommending these pads for a few years now and have nothing but good things to say about them. To put it very simply, these pads are extremely finely constructed so as to be about as flat and even as a pad can get.
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